The company

  • 2007

    Winner of the Workshop Foundation’s program titled Research of the Unknown: Let’s Roar and Connect!

  • 2008

    Premiere of What should we do with our bodies?

  • 2009

    Premiere of Supra Hits

  • 2010

    Premiere of Daily Routine

  • 2011

    5-month residency at Tanzfabrik Berlin, supported by the Tempus Foundation

    Premiere of  Basse Danse in co-production with Grand Theatre Groningen

    Basse Danse receives the Rudolf Lábán Prize for the Best Dance Performance of 2011

  • 2012

    Basse Danse was selected as one of the 20 most outstanding performances of the year by the international Aerowaves network

    The Way My Father Imagined It All was created with the support of the international project Jardin d’Europe, in co-production with Centre de Développement Chorégraphique / Biennale de danse du Val-de-Marne (FR), Hebbel am Ufer (D), and Grand Theatre Groningen (NL)

  • 2013

    Premiere of Dawn in co-production with Trafó House of Contemporary Arts

    Dawn was selected as one of the 20 most outstanding performances of the year by the international Aerowaves network

    One-month residency at Headlands Center for the Arts (USA) in San Francisco

  • 2014

    Dawn receives the Rudolf Lábán Prize for the Best Dance Performance of 2013

    Dawn at the Aerowaves Spring Forward Festival

    Two-week residency in San Vincenti, supported by the Zagreb Dance Company (HR)

    Premiere of the production Conditions of Being a Mortal

    The company’s first tour in Asia: Dawn at the SIDance Festival, Seoul, South Korea

    The company’s first U.S. tour: Dawn at Abrons Arts Center, New York, USA

    With Conditions of Being a Mortal, Hodworks is selected for the third time among the 20 best contemporary dance performances by the international Aerowaves network

  • 2015

    Third appearance at the Aerowaves Spring Forward Festival, in Barcelona

    Conditions of Being a Mortal is among the performances nominated for the 2015 Rudolf Lábán Prize

  • 2016

    Premiere of Grace at MU Theatre, Budapest

    Adrienn Hód receives the Imre Zoltán Award

    Hodworks holds an open studio in Düsseldorf at the Internationale Tanzmesse

    An educational project complementing the curriculum is launched at a dance school in Budapest

  • 2017

    Premiere of the production Solos at MU Theatre, Budapest

    Grace receives the 2016 Rudolf Lábán Prize for the Best Dance Performance

  • 2018

    Solos receives the 2017 Rudolf Lábán Prize for the Best Dance Performance

    Solos is presented at the Internationale Tanzmesse

    Premiere of  Sunday at Trafó, Budapest

  • 2019

    The production Coexist, created in collaboration with the Theater Bremen dance company Unusual Symptoms, premieres in Bremen in May

    Premiere of Mirage at MU Theatre in February

  • 2020

    Premiere of  Another Dance Show at Trafó, Budapest

    Coexist is invited to TANZPLATFORM DEUTSCHLAND 2020

    The performance Mirage is nominated for the Lábán Prize

    Adrienn Hód, in collaboration with BODHI PROJECT, creates Chorus Line

  • 2021

    Premiere of Amber at Trafó, Budapest

    The company is invited to the Venice Biennale, where they will present the production Sunday and conduct a workshop

  • 2022

    Premiere of the production Harmonia at Theater Bremen and later at Trafó, in collaboration with the Unusual Symptoms company

    Premiere of the production Cabaret at Trafó House of Contemporary Arts, in collaboration with Dollár Papa Gyermekei

    Harmonia is invited to the Internationale Tanzmesse

  • 2023

    Premiere of the production Idol at Trafó, in collaboration with the ArtMenők company

    Harmonia receives the Rudolf Lábán Prize

    Premiere of Midnight Oil in collaboration with Unlock Dancing Plaza in Hong Kong

    Premiere of Voice of Power at the steirischer herbst festival in Graz, followed by Trafó

    Harmonia is invited to Tanzplattform 2024

    Soft Spot is invited to the Czech Dance Platform festival

    Adrienn Hód choreographed Csaba Molnár in the contemporary dance performance Menthol, based on Zsolt Hamarits’ photograph Universe, 2017

  • 2024

    The Hungarian premiere of Midnight Oil at Trafó

    Premiere of Shared Values ​​in cooperation with WUK Performing Arts in Vienna

  • 2025

    Premiere of Body States at ISBN+ Gallery

    Premiere of Charlie at Eötvös10

    Premiere of Project Nr.2191 in cooperation with Helsinki Dance Company in Helsinki

The HODWORKS company was founded in 2007 by Adrienn Hód. The ensemble works with freelance artists and is active both in the Hungarian and international contemporary dance scene. The core dancers of the troupe have been working together for years in varying constellations. The performances mark unknown, boundary-pushing directions, often dealing with the physicality of the completely stripped human body. The content of their works is characterized by a subtle movement between an abstract appearance and a concrete, often verbalized meaning. Their topics range from universal human experiences to the specific critique of the world of contemporary dance. The performances of HODWORKS have been selected three times by Aerowaves, and the company is a multiple winner of the Rudolf Lábán and Imre Zoltán awards in Hungary.

The performances of HODWORKS strongly expose the performer’s situation and demonstrate it with extreme human conditions, both through physical and verbal means. The aim of the pieces is not to investigate specific taboos, but to create and present a liberated creative space where signs can be freed from their predetermined interpretation. The troupe investigates the cultural topos related to the human body and contemporary dance with constant curiosity, always questioning the boundaries of the stage space. The dancers appear as sovereign characters in the pieces, the creational processes are always enriched with their personal points of view. Their performance tools are not only limited to physicality: verbality and humor are also given significant space. In their constant resarching and performing work, they examine their own identity and existential questions, often in the form of direct or abstract questions addressed directly to the audience.

Adrienn Hód imagines the theater as a safe space where the topics raised and the dialogue about them can be explored in their full depth and made artistically visible. The creational processes led by her are not driven by a single unquestionable choreographic vision. With her company, she examines the various talents that are present, giving space to their knowledge, experiences and emotions that came into the space of the rehearsal room along a specific theme. Her creative process is always based on improvisation, and she often uses knowledge provided by external, invited contributors. Finally, the pieces created during the fine-tuning and precisely constructed structuring can have a broad perspective, with a rich and diverse end result. On stage, the focus is always on the performers’ bodies, her/his physical and performative conditions. Great emphasis is placed on sound design and lighting, which help powerfully to create the right situation that encourages deep immersion.

For HODWORKS, art is an alibi for freedom. Above all, the troupe emphasises the complexity and radicalism of personal expression, laying bare the multilayered constructs of identity. Their works may also be read, in the context of endangered artistic and personal autonomy, as marking a movement of defence and of re-obtaining said autonomy.

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